When and how did you discover your passion for music?
– Pretty early… Perhaps when I started to hammer the upright piano we had at home at the age five or six. That’s some kind of passion I guess! :). I think a turning point, passion-wise, was when I started playing different stuff than the classical piano that my mom wanted me to play. When I started playing in bands and such, 14-15 years old there about.

How come you ended up playing the keyboard?
– I had a piano at home, growing up. Mom taught me at first.

You have recorded several titles of MIDI for EZkeys by now. Explain a little about the process of recording one of these packs.
– I usually start by listening a lot to a playlist of songs. Get a feel of the genre. A vibe. Then usually a couple of ideas tend to emerge quite early. I switch a lot from the different songs/sessions I’m working on in the beginning. Like, if I’m recording a Stevie Wonder-kind-of-thing variation number 3, and suddenly feel like I have the Ray Charles take on this, I instantly open a new session and record the new idea. I find it easier and more fun to work this way – to never stop the creative process. To go with it. Instead of the well-I-really-should-be-doing-this-right-now-approach. And force it. There´s always time to edit/erase/change things up and record variations at a later stage. That’s a different kind of creation I think, like what to add, what to remove, more of this and that, or doing a very sparse take.

What is neo-soul to you and what did you try to cover in this collection of MIDI?
– Well, I’ve listened a lot to D’Angelo. One thing that I perhaps was a little bit worried about on this one, was the timing of the chord instrument against the rhythm section. How’s this piano going to stand alone? Some neo-soul have a pretty far out timing going on against the drums. As far as covering, I followed a playlist of rough ideas, adding some, removing some. Mainly to have songs that were not too alike in tempo and playing style. I think it turned out great!