What did you try to capture with this collection of guitar tones?
– It ranges from crisp, clean and polite to raw, unpolished and dirty. Generally, I aimed for straightforward unprocessed sounds where the character of the player and the guitar come through. Sort of like plugging straight into an amp, sometimes adding a stomp box or two. There are often a lot of room present when you listen to blues recordings, and that’s something I tried to capture as well.

What’s your personal connection to the blues?
– It’s a part of my musical roots. I listen to it more than I play it. My most overwhelming concert experience ever was BB King playing at Umeå Jazz Festival many years ago (1986). I have seen hundreds of live performances since then, but nothing, regardless of genre, comes close to that evening.

The blues for electric guitar as a whole – the guitar hero included – is monumental. Who are some of your personal favorite players and why?
– I have noticed that most of my blues players that I admire are singers. The common thread when it comes to guitar players is the ones that speaks to me in their playing. Over time, I have gotten less interested in the spectacular, while one single note from BB King can really knock me out. It’s hard to ignore Jimi Hendrix, Johnny Winter and the Vaughan brothers. Also JJ Cale and Ry Cooder are great and two guitarists I consider blues players. Here in Sweden we had Sven Zetterberg who recently passed away. In my book, he was one of the greatest. I also want to mention Chris Ruest from Austin, TX. Anyone who haven’t heard or seen him should do so.

Tell us briefly how an EZmix 2 guitar tone is made, from start to finish.
– A guitar amp simulation preset in EZmix 2 is an emulation of a complete signal chain that resembles a guitar rig that has been miced up in the studio – from guitar to cabinet via stomp boxes and various chains of effects. For inspiration, I either go for a specific sound from a song, album or a certain player. I can also find something that inspires me in the selection of amp models I have available to choose from. When I have put together the “rig” that I’m going for, I play it and make sure it reacts to my playing the way i expect it to. A guitar tone is not only what you hear when you listen to it, it’s also to a great extent what you feel when you are playing. At my disposal, I have models of dozens of the most used amplifiers and effects as well as a huge selection of emulated speakers. I can also create my own impulse responses of speakers, so our library of speaker emulations is constantly growing. Once I am happy with the response and overall tone, I need to determine what parameters I want to be able to control with the two knobs in EZmix 2. I define the maximum and minimum values for all of them, which in the end allows the user to dial in the amount of saturation for all involved parameters of this specific tone. For example, a knob labelled “Punch” or “Edge” can control ten or more different parameters. It’s a time-consuming process, but well worth it!

You are a guitarist yourself with a big collection of amps. Rank the top-five amps of all time!
– Tough question, there are so many builders right now who put out fantastic amps. One classic that stands out and may rank as my personal favorite is the Fender Tweed Deluxe. That has to be the most versatile one-trick pony ever made – and probably one of the most recorded amps as well. The list of players is almost endless. Neil Young, Larry Carlton, Billy Gibbons, The Black Crowes, Mike Campbell, Steve Cropper, Eagles, Beatles, Scotty More…

Even with these numerous amps, you are still an avid EZmix 2 user. In your mind, what is the upside of recording, writing and producing using modulated guitar tones.
– To me it’s convenience. It’s fast and I can get a good tone in an instant, without being in a studio environment. In addition, I could never afford or store all the gear that comes in just one EZmix Pack. 50 perfectly dialed amp tones just a mouse-click away is pretty powerful.