VALVE DISTORTION BOX.

In this article, I’ll cover a few tips to getting gritty hard-hitting rock drums with my personal favorite plug-in in the mixer, the Valve Distortion Box.

Its initial subtleties may cause this distortion plug-in to be overlooked, but after digging a bit deeper into its features I’m sure that all readers will share my affection for this distortion powerhouse.

First, some backstory. The Valve Distortion Box is a meticulous model of a hardware distortion unit that is a mainstay at mastering studios and high-end mix rooms around the world.

I won’t go through all of the Valve Distortion Box’s features (as the manual does a good job of that), instead I’ll provide a few real-world examples for where you might want to use this amazing plug-in.

Subtle example
The subtle example pertains to the first Valve Distortion Box insert on the Master channel. In order to hear its effect, you must first turn on the first insert of the master channel.

For a subtle lift type of saturation, I’ve chosen the MD4 style of distortion from the drop down menu. The “M” category of distortion options all shift the mid-range in the audio signal slightly and particular selection really seems to bring out the “crack” of a snare drum, and it gives the drums more of a rock tone that will easily cut through a mix. When previewing the included groove in the downloadable session, play with the Drive control – either adding or taking away drive to hear its tonal effect.

Not-so-subtle example
The not-so-subtle example pertains to the second Valve Distortion Box insert on the Master channel. In order to hear its effect you must first turn on the second insert of the Master channel and turn off the first.

Here the Overdrive button is engaged and a low pass filter is used for more of a low-fi effect. The distortion type is set at P2 which is a tube-style distortion that really thickens up the sound. Of course, in this example it is used to the extremes, but it can also be made much more subtle if desired by reducing the Drive control and turning off the low pass filter.

The Master fader is a great place to start with this plug-in as it really highlights its strengths and unique sound. Once you are comfortable with it on your master, it can be used more creatively to bring out individual channels in a mix.

Read more about the Valve Distortion box here.

DOWNLOAD PROJECT FILE

Mike Sanfillipp


SUPERIOR DRUMMER 2 GOES ELECTRONIC.

Want to learn more about using Superior Drummer 2 for producing electronic beats? Check the first episode of Seamless’ upcoming series of videos!

AMBIENT GUITARS.

Our very own Mattias Eklund demonstrates some of the guitar tones that come with the Ambient EZmix Pack!

RECORDING GUITARS WITH LEO.

Check out how Leo from Frog Leap Studios goes about recording guitars using EZmix 2.

EZKEYS CUSTOMER JUKEBOX.

Some songs where EZkeys was used as a foundation – written by you, our customers!

LAYER SOUNDS WITH X-DRUMS.

This quick video shows you how to layer sounds from different libraries in Superior Drummer 2.

IN THE STUDIO WITH NOISIA.

This great video by Future Music showcases how Noisia works with Superior Drummer 2 to create their jaw-dropping beats.

MAKING BEATS WITH KJ SAWKA.

Electronic solo artist and Destroid drummer KJ Sawka takes you into his beat laboratory.

MUSIC VIDEO OF THE DAY.

“Clarity” ft. Foxes by Toontrack and EZdrummer 2 artist Zedd.

THE BEAT MACHINE.

The ultimate collection of acoustic drums, percussion and timeless machines.

THE TOONTRACK PODCAST – EPISODE 3.

For the third episode, Rikk Currence talks to Monty Powell, award-winning songwriter who’s written hits for Lady Antebellum, Keith Urban and many others.

No products in the cart.

×