VALVE DISTORTION BOX.

In this article, I’ll cover a few tips to getting gritty hard-hitting rock drums with my personal favorite plug-in in the mixer, the Valve Distortion Box.

Its initial subtleties may cause this distortion plug-in to be overlooked, but after digging a bit deeper into its features I’m sure that all readers will share my affection for this distortion powerhouse.

First, some backstory. The Valve Distortion Box is a meticulous model of a hardware distortion unit that is a mainstay at mastering studios and high-end mix rooms around the world.

I won’t go through all of the Valve Distortion Box’s features (as the manual does a good job of that), instead I’ll provide a few real-world examples for where you might want to use this amazing plug-in.

Subtle example
The subtle example pertains to the first Valve Distortion Box insert on the Master channel. In order to hear its effect, you must first turn on the first insert of the master channel.

For a subtle lift type of saturation, I’ve chosen the MD4 style of distortion from the drop down menu. The “M” category of distortion options all shift the mid-range in the audio signal slightly and particular selection really seems to bring out the “crack” of a snare drum, and it gives the drums more of a rock tone that will easily cut through a mix. When previewing the included groove in the downloadable session, play with the Drive control – either adding or taking away drive to hear its tonal effect.

Not-so-subtle example
The not-so-subtle example pertains to the second Valve Distortion Box insert on the Master channel. In order to hear its effect you must first turn on the second insert of the Master channel and turn off the first.

Here the Overdrive button is engaged and a low pass filter is used for more of a low-fi effect. The distortion type is set at P2 which is a tube-style distortion that really thickens up the sound. Of course, in this example it is used to the extremes, but it can also be made much more subtle if desired by reducing the Drive control and turning off the low pass filter.

The Master fader is a great place to start with this plug-in as it really highlights its strengths and unique sound. Once you are comfortable with it on your master, it can be used more creatively to bring out individual channels in a mix.

Read more about the Valve Distortion box here.

DOWNLOAD PROJECT FILE

Mike Sanfillipp


FLUFF – GEAR RUNDOWN.

What gear does Fluff from Riffs, Beards & Gear rely on live and in the studio?

WELCOME TO COLUMBIA A.

Step inside one of the studios that helped shape music history.

STEP-BY-STEP GUIDE: BUILD YOUR OWN PEDAL.

Here’s the ultimate guide to building your own pedal!

MARTIN MILLER – PLAYTHROUGHS.

The awesome Martin Miller and the JamTrack Amps EZmix Pack in action!

MARCO SFOGLI – PLAYTHROUGH.

Marco Sfogli performs one of his tracks using guitar tones from the JamTrack Amps EZmix Pack.

MEET RONNY HEIMDAL.

Meet the second week’s Customer Spotlight, the amazing Ronny Heimdal from Norway.

THE CUSTOMER GUITARIST JUKEBOX – WEEK 2.

Check the second week’s Jukebox of awesome guitar-related tracks – by you!

WRITE YOUR OWN BACKING TRACK.

Lay out a basic backing track using EZdrummer 2 and EZkeys.

THE CUSTOMER GUITARIST JUKEBOX – WEEK 1.

Check the first week’s Jukebox of awesome guitar-related tracks – by you!

DI GUITARS + EZMIX 2 = TRUE.

This quick video explains how to best work with EZmix 2 when recording DI guitars.

BIG CHOCOLATE.

Meet Cameron Argon, a.k.a. Big Chocolate: EDM producer, songwriter and Toontrack user.

MEET OSCAR "FUNTWO" LIM.

Meet the first week’s Customer Spotlight, the amazing Oscar Lim from New Zealand.

No products in the cart.

×