VALVE DISTORTION BOX.

In this article, I’ll cover a few tips to getting gritty hard-hitting rock drums with my personal favorite plug-in in the mixer, the Valve Distortion Box.

Its initial subtleties may cause this distortion plug-in to be overlooked, but after digging a bit deeper into its features I’m sure that all readers will share my affection for this distortion powerhouse.

First, some backstory. The Valve Distortion Box is a meticulous model of a hardware distortion unit that is a mainstay at mastering studios and high-end mix rooms around the world.

I won’t go through all of the Valve Distortion Box’s features (as the manual does a good job of that), instead I’ll provide a few real-world examples for where you might want to use this amazing plug-in.

Subtle example
The subtle example pertains to the first Valve Distortion Box insert on the Master channel. In order to hear its effect, you must first turn on the first insert of the master channel.

For a subtle lift type of saturation, I’ve chosen the MD4 style of distortion from the drop down menu. The “M” category of distortion options all shift the mid-range in the audio signal slightly and particular selection really seems to bring out the “crack” of a snare drum, and it gives the drums more of a rock tone that will easily cut through a mix. When previewing the included groove in the downloadable session, play with the Drive control – either adding or taking away drive to hear its tonal effect.

Not-so-subtle example
The not-so-subtle example pertains to the second Valve Distortion Box insert on the Master channel. In order to hear its effect you must first turn on the second insert of the Master channel and turn off the first.

Here the Overdrive button is engaged and a low pass filter is used for more of a low-fi effect. The distortion type is set at P2 which is a tube-style distortion that really thickens up the sound. Of course, in this example it is used to the extremes, but it can also be made much more subtle if desired by reducing the Drive control and turning off the low pass filter.

The Master fader is a great place to start with this plug-in as it really highlights its strengths and unique sound. Once you are comfortable with it on your master, it can be used more creatively to bring out individual channels in a mix.

Read more about the Valve Distortion box here.

DOWNLOAD PROJECT FILE

Mike Sanfillipp


ARTIST SPOTLIGHT: ALEX LANDENBURG.

Alex talks background, inspirations and sampling drums for Toontrack!

BEHIND THE SCENES WITH WILL PUTNEY.

Get a glimpse of what happened during the Modern Metal EZX sessions!

THE METAL HALL OF FAME.

Curious what earlier editions of Metal Month brought forth? Here’s a brief walk down memory lane we did for last year’s tenth anniversary.

THE 2020 JUKEBOX COLLECTION.

Close to 60 amazing songs – by Toontrack users from around the world.

PRODUCER PROFILE: JAKOB HERRMANN.

The engineer behind the likes of Amaranthe and Raised Fist talks starting out, his passion for recording drums and more!

ARE YOU READY TO HEAD INTO THE DARK?

New EZX by Tom Dalgety, tailored for dark and gothic rock!

THE HARD ROCK EBX HAS LANDED.

Let the low end begin!

USING MIDI PACKS WHEN WRITING ROCK SONGS.

Trey walks you through his creative process!

THE DICE HAVE BEEN CAST – AGAIN!

Trey from Gear Gods checks in again, this time flanked by Björn Strid and Vicky Psarakis!

TWO NEW MIDI PACKS!

Two new MIDI packs inspired by gothic and melancholic, dark rock.

ARTIST SPOTLIGHT: MAT HECTOR.

Iggy Pop and Gutterdämmerung drummer talks background, drum kits and recording with Toontrack!

ARTIST PROFILE: ELVIO FERNANDES

Daughtry keyboard player talks background, songwriting, gear and his passion project – the ROC Star Academy.

No products in the cart.

×