VALVE DISTORTION BOX.

In this article, I’ll cover a few tips to getting gritty hard-hitting rock drums with my personal favorite plug-in in the mixer, the Valve Distortion Box.

Its initial subtleties may cause this distortion plug-in to be overlooked, but after digging a bit deeper into its features I’m sure that all readers will share my affection for this distortion powerhouse.

First, some backstory. The Valve Distortion Box is a meticulous model of a hardware distortion unit that is a mainstay at mastering studios and high-end mix rooms around the world.

I won’t go through all of the Valve Distortion Box’s features (as the manual does a good job of that), instead I’ll provide a few real-world examples for where you might want to use this amazing plug-in.

Subtle example
The subtle example pertains to the first Valve Distortion Box insert on the Master channel. In order to hear its effect, you must first turn on the first insert of the master channel.

For a subtle lift type of saturation, I’ve chosen the MD4 style of distortion from the drop down menu. The “M” category of distortion options all shift the mid-range in the audio signal slightly and particular selection really seems to bring out the “crack” of a snare drum, and it gives the drums more of a rock tone that will easily cut through a mix. When previewing the included groove in the downloadable session, play with the Drive control – either adding or taking away drive to hear its tonal effect.

Not-so-subtle example
The not-so-subtle example pertains to the second Valve Distortion Box insert on the Master channel. In order to hear its effect you must first turn on the second insert of the Master channel and turn off the first.

Here the Overdrive button is engaged and a low pass filter is used for more of a low-fi effect. The distortion type is set at P2 which is a tube-style distortion that really thickens up the sound. Of course, in this example it is used to the extremes, but it can also be made much more subtle if desired by reducing the Drive control and turning off the low pass filter.

The Master fader is a great place to start with this plug-in as it really highlights its strengths and unique sound. Once you are comfortable with it on your master, it can be used more creatively to bring out individual channels in a mix.

Read more about the Valve Distortion box here.

DOWNLOAD PROJECT FILE

Mike Sanfillipp


HEAVY IN STANDARD E?

Can a song sound heavy in standard tuning? Indeed! Here’s Bernth with proof!

HOW TO MAKE FILLS AND TRANSITIONS.

Find, edit or create! EZdrummer 3 offers all options.

METAL MONTH JUKEBOX #3.

Another batch of amazing songs by you – the Toontrack family!

FIVE QUESTIONS TO... ANDY SNEAP.

We checked in with producer/mixer/engineer and Judas Priest touring guitar player Andy Sneap to catch up!

ADD SOME GRIT TO IT!

50 presets for EZmix 2 tailored for dark, gritty rock and industrial metal.

HOW TO WRITE BETTER RIFFS – IF YOU’RE STUCK!

Taylor Danley checks in with some tips, tricks and workflows!

ARTIST SPOTLIGHT: LUCA MANTOVANELLI

We caught up with Italian guitar and fusion wizard to talk Toontrack – and more!

NEXT UP: MORE METAL!

Here’s what Tramaine played. What will your solo sound like?

BRIAN MAILLARD PLAYTHROUGH!

Brian checked with a quick playthrough feat. EZdrummer 3.

FIVE QUESTIONS TO... TOM DALGETY.

We caught up with Fields of Rock SDX producer to talk recent projects and more!

HOW TO TWEAK DRUM PARTS TO PERFECTION.

Refine, edit and tweak with Shawn!

THRASH AND DEATH METAL DRUMMING – AT ITS FINEST!

Mauricio Weimar checks in with an amazing display of metal drumming.

No products in the cart.

×