SELECTING NOTE DIVISIONS IN TRACKER.

One of Tracker’s incredibly useful features is the ability to select trigger points based on their note divisions. This allows you to select trigger points and then alter the selection as a group. For example, you could select all whole notes on a snare drum and raise their velocity together, or you could select the quarter notes of a ride cymbal and change their articulation to the bell. In this example I’ll be using a hi-hat and I’ll outline the procedure for selecting all eighth notes and changing their articulation as a group.

Make sure to download the attached project file to follow along as these instructions will outline the process on a step-by-step basis.

1. Load the attached audio files found here into Tracker. This is done by simply dragging them into the Tracker interface.

2. Tracker will automatically analyze the files and find all hits. For the hi-hat contained in this file, Tracker detects some of the hi-hats as open when they should all be closed. This is easily fixed in one step by selecting the ‘Hi-Hat Track’, then clicking the drop down menu in the ‘Sound Recognition’ section and finally selecting ‘Edit’ and changing the articulation from ‘Multi’ to ‘Closed Tip’. Don’t forget to click ‘OK’ to save your selection. All steps can be seen in the image below.

3. In order for Tracker to understand the note divisions in the loaded audio material it must know the tempo. Click the ‘Find Tempo’ button near the top of the interface. With this file, Tracker will automatically find your tempo, so you won’t have to do anything here other than click ‘Update Tempo Map’.

4. Now that Tracker understands the tempo of the audio, we will be able to select the eighth notes on the hi-hat and change their articulation. Make sure that the hi-hat track is still selected and then click the ‘Select’ menu and choose ‘1/8th Notes’.

5. With all of the eighth notes selected, we can again go to the ‘Sound Recognition’ window as we did in step 2 and change these selected eighth notes to ‘Closed Edge Articulation’. The only extra step here will be to make sure that the ‘Apply to Selected Notes Only’ option is clicked in the ‘Sound Recognition’ window.

‘Select Notes’ is a great technique for quickly editing the feel of Tracker’s output. Now, when played back, the hi-Hat will have a much more human feel and add to the dynamics of the groove.

DOWNLOAD PROJECT FILE

Michael Sanfilipp


NEW EZKEYS MIDI RELEASE.

A creative toolbox of ideas for any writer of pop, rock, scores or commercial soundtracks.

THREE QUESTIONS TO…

…Steve Rivers, up and coming country artist and avid Superior Drummer 3 user. New song inside!

ARTIST PROFILE: POINT NORTH.

Meet up and coming pop/punk band Point North and listen to one of their songs, remixed using Superior Drummer 3.

OLA ENGLUND & TRACKER.

Learn how Ola works when converting drum audio to MIDI with Superior Drummer 3 and Tracker.

PRODUCER PROFILE: CHRIS BASEFORD.

What are multi award-winning producer/mixer/engineer Chris Baseford’s best and worst studio moments? Find out here.

INSIDE: THE AYOTTE CLASSIC KIT.

Learn more about this wood-hooped marvel and why we chose to sample it for the Superior Drummer 3 core library.

LOW TRANSIENT BUS.

Try this technique to add more low-end punch to your drum mix.

VALVE DISTORTION BOX.

Add some grit to your mix! In this feature, we dive into the world of the Valve Distortion Box.

VELOCITY CURVE AND GHOST NOTES.

Learn how to save hours of MIDI editing with this smart workaround.

GRID EDITOR CUSTOM SELECTION.

Learn how to use this super-handy new feature in the Grid Editor of Superior Drummer 3.

CUSTOMIZING THE ENVELOPE FOR THE TEMPO.

How to shorten the decay of reverberant drums in Supeiror Drummer 3.

AUDIO DEMO MIXED BY BOB ROCK.

A stunning track, mixed by Bob Rock and featuring the Hard Rock EZX.

No products in the cart.

×