METAL IN 57/4. WHY NOT?

Anyone that follows Mattias IA Eklundh knows he never takes the most predictable path to get where he wants to go. In the examples in this video, he takes probably one of most jungly routes ever. Tag along as he plays metal in 57/4 – split up in 11/16, 19/16 and 27/16 times four, while keeping the quarter note pulse intact. In true gaming style, the examples are delivered in three levels of difficulty. The example for the first level features drums from Eddie Kramer’s Legacy of Rock SDX, the second The Metal Foundry SDX and the third the Claustrophobic EZX. EZbass and EZkeys Hybrid Harp are also in there!

JAM WITH ANDY.

Check out Andy’s video here, then download the backing track and solo over it yourself!

OLA ENGLUND.

Meet Ola Englund, longtime Toontrack collaborator and Metal Guitar God by trade.

JACK THAMMARAT.

We asked super-guitarist Jack Thammarat for a gear rundown – and some more!

A SUPERIOR GUITARIST.

Meet Superior Drummer 2 artist John Petrucci of Dream Theatre.

A SONG IN NO TIME.

This quick video shows how you add piano and a bass line to your already recorded guitar track using EZkeys.

SUPERIOR DRUMMER 2 GOES ELECTRONIC.

Want to learn more about using Superior Drummer 2 for producing electronic beats? Check the first episode of Seamless’ upcoming series of videos!

AMBIENT GUITARS.

Our very own Mattias Eklund demonstrates some of the guitar tones that come with the Ambient EZmix Pack!

RECORDING GUITARS WITH LEO.

Check out how Leo from Frog Leap Studios goes about recording guitars using EZmix 2.

EZKEYS CUSTOMER JUKEBOX.

Some songs where EZkeys was used as a foundation – written by you, our customers!

LAYER SOUNDS WITH X-DRUMS.

This quick video shows you how to layer sounds from different libraries in Superior Drummer 2.

IN THE STUDIO WITH NOISIA.

This great video by Future Music showcases how Noisia works with Superior Drummer 2 to create their jaw-dropping beats.

MAKING BEATS WITH KJ SAWKA.

Electronic solo artist and Destroid drummer KJ Sawka takes you into his beat laboratory.

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