LOW TRANSIENT BUS.

Parallel busses are a great way to incorporate audio processing without being too destructive to the original source. It’s currently extremely common use parallel compression busses, but parallel processing can be used for any type of effect. In this article, I go over a technique that can provide more low-end punch to your drum mix, with what I call a “parallel low transient bus”.

In the attached downloadable project file, you will see that I have sent all low-end producing instruments in the drum kit to a stereo buss channel that I’ve re-named Low Transient. This includes all Kick channels and the close microphones on the toms. I’m only using close microphones because I’m most interested in getting more of the initial transient of the sound and none of the room tone. Also, I’ve used a send because I want to leave the clean channel output signal unaffected and routed to the master (i.e. in parallel).

The first insert on this channel is an EQ that uses a low pass filter to focus in on the frequencies that I want to accentuate. In this case it’s a gentle high end roll off starting at 160 Hz. This slope and frequency of the roll off is crucial. I chose this frequency based on the low-end that is present in the selected Gretsch kit. If you set the roll off frequency too high, the sound will be muddy. I also found that using a gentle slope made the added low-end more transparent.

Next in the chain is the Transient plug-in. Here I have added attack and decreased sustain as much as possible. Keeping the sustain low will also reduce the muddiness of the added low-end.

Finally I’ve added a Valve Distortion Box to add some grit and harmonics to the low end transient. This will also increase its perceived volume and makes the effect generally less subtle.

To hear this effect, simply play the groove on the song track and then raise the Low Transient buss. It’s subtle, but when muted you will really notice! Also, since we are dealing with low frequencies, please make sure to use good headphones or proper studio monitors for listening, as laptop speakers are not going to cut it.

Happy mixing!

DOWNLOAD PROJECT FILE

Mike Sanfillipp


ARTWORK TIMELAPSE.

Watch the Metal Bass Beasts EZmix Pack cover develop from idea to finished art!

DRUMCEPTION: CHRIS BRODERICK.

Listen to Chris Broderick’s insane riffing and lead work over Mario’s drums.

DRUMCEPTION: RIVERS OF NIHIL.

Big, ambient and haunting – listen to how the guys from Rivers of Nihil interpreted Mario’s drum track!

FLUFF – MARK LEWIS DEMO.

Fluff from Riffs, Beards & Gear tries out the Mark Lewis Metal Tones EZmix Pack.

GEAR GODS: THREE MIXES.

Trey demos three different mixing using the EZmix Packs released during Metal Month 2016.

GUEST PLAYLIST – EFRAIM JUNTUNEN (NAGLFAR).

We checked in with Naglfar drummer Efraim Juntunen to see what’s spinning in his headphones right now!

NEW DRUM MIDI PACK FOR BLACK METAL!

Steady doom-like beats, grinding tirades and violent outbursts in fills.

MUSIC CITY USA SDX – ON E-DRUMS.

E-drum performance by Luke Oswald featuring the Music City USA SDX.

TOMAS HAAKE: KIT RUNDOWN.

We caught up with Tomas Haake of Meshuggah to get a rundown of his 2016 touring kit.

MASTERING & MIXING WITH EZMIX 2.

A few videos on the subject of mixing and mastering with EZmix 2.

GET YOUR JAM BACK ON TRACK.

Check out what our friends at Jam Track Central got going on – and get tones for EZmix 2 from some of their guitarists!

NEW DRUMCEPTION TRACK!

Some insane riffing from Justin McKinney (The Faceless) and Ryan “Bart” Williams (Necromancing The Stone).

No products in the cart.

×