LOW TRANSIENT BUS.

Parallel busses are a great way to incorporate audio processing without being too destructive to the original source. It’s currently extremely common use parallel compression busses, but parallel processing can be used for any type of effect. In this article, I go over a technique that can provide more low-end punch to your drum mix, with what I call a “parallel low transient bus”.

In the attached downloadable project file, you will see that I have sent all low-end producing instruments in the drum kit to a stereo buss channel that I’ve re-named Low Transient. This includes all Kick channels and the close microphones on the toms. I’m only using close microphones because I’m most interested in getting more of the initial transient of the sound and none of the room tone. Also, I’ve used a send because I want to leave the clean channel output signal unaffected and routed to the master (i.e. in parallel).

The first insert on this channel is an EQ that uses a low pass filter to focus in on the frequencies that I want to accentuate. In this case it’s a gentle high end roll off starting at 160 Hz. This slope and frequency of the roll off is crucial. I chose this frequency based on the low-end that is present in the selected Gretsch kit. If you set the roll off frequency too high, the sound will be muddy. I also found that using a gentle slope made the added low-end more transparent.

Next in the chain is the Transient plug-in. Here I have added attack and decreased sustain as much as possible. Keeping the sustain low will also reduce the muddiness of the added low-end.

Finally I’ve added a Valve Distortion Box to add some grit and harmonics to the low end transient. This will also increase its perceived volume and makes the effect generally less subtle.

To hear this effect, simply play the groove on the song track and then raise the Low Transient buss. It’s subtle, but when muted you will really notice! Also, since we are dealing with low frequencies, please make sure to use good headphones or proper studio monitors for listening, as laptop speakers are not going to cut it.

Happy mixing!

DOWNLOAD PROJECT FILE

Mike Sanfillipp


EUGE FROM CYHRA CHECKS OUT SUPERIOR!

Cyhra guitarist checks out Superior Drummer 3 and walks you through one of his solo album mixes.

NEW EBX RELEASE.

Metal Month continues!

LIVE IN THE LOCKDOWN.

Let’s rewind to TesseracT’s epic “Live In the Lockdown” stream. E-drum magic guaranteed!

ARTIST SPOTLIGHT: CAMERON MAYNARD.

Cameron talks background, inspirations, gear…and when an eight-feet stage prop fell on the drummer mid-show!

HEAVIEST RIFF IN THE UNIVERSE.

Can YOU write it?

METAL MONTH CUSTOMER JUKEBOX – WEEK 1.

The first batch of songs for Metal Month 2020 – by YOU!

HOME RECORDING BASICS.

The fundamentals according to YouTube creator BERNTH!

MEGA SHRED COLLAB!

10 guitar players interpret the same backing track.

ENTER THE TOP FLOOR.

Head behind the scenes of the session for the Duality EZXs!

WHEN TWO WORLDS COLLIDE.

We kick off Metal Month with a double EZX release!

THE DICE DECIDE THE SONG!

Trey is back with another creative adventure…this one featuring Tommy of BTBAM!

ARTIST SPOTLIGHT: JAKE E.

Meet “the Jake of all trades” Jake E, ex-Amaranthe singer, songwriter, producer, actor and now the voice of Cyhra.

No products in the cart.

×