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FIVE UNUSUAL RECORDING TIPS…

We checked in with the always-inventive Jakob Herrmann, mastermind behind our latest two EZXs, (Duality I and Duality II) to pick his brain on his five best and quickest tips for spicing up your recordings and maybe getting you out of your regular rut!

Room-mics

THE VIBE IS IN THE ROOM.
When micing a guitar or bass amp in a room, don’t shy away from also micing the actual room. A bass amp can really come to life with a room mic, and a guitar amp, especially for solos or melody overdubs, can get a certain vibe if room miced, that is hard to replicate with a reverb plugin.

Mid-side

TRY MID/SIDE MICING.
Try mid/side micing on different sources. In the new Duality EZXs, I chose to include mid/side mics because it’s a fantastic way to get an organic drum sound, especially if you want to “build” your sound from ambience mics rather than close mics. But mid/side can be used on so many things. Adding wideness to an electric guitar melody, or to make an acoustic guitar big and roomy without losing focus.

Weird angle

IT DOESN’T HAVE TO LOOK GOOD.
Mic things so they sound good, not so they look cool. Sometimes a weird angle sounds better and picks up less of the things you don’t want. Be open to many ways of doing things, and don’t be afraid to think outside the box sometimes.

Loop-recording

STAY IN THE LOOP.
If a certain passage in a song is tricky, especially on vocals, make a loop recording of an even number of bars, and ask the vocalist to run through the part and focus on different things. Four takes for nailing the pitch, four takes for nailing the timing, four takes for expression, etc. Each time, he or she will make the performance better, without worrying about “getting back into it,”and in the end you can use bits of these takes to better the original performance.

AND FINALLY…
Make sure there’s coffee.

WhenTwoWorldsCollide
WHEN TWO WORLDS COLLIDE.

In this double EZX release by engineer Jakob Herrmann and drummer Alex Landenburg, two contrasting batteries of drums balance on the divide between clamoring sonic ideals. Welcome two new EZXs – equal, but worlds apart.

Videos, audio demos and more here.


PRODUCING BEATS WITH SEAN DIVINE.

Stacking, mixing and matching feat. Superior Drummer 3 and hip-hop mastermind Sean Divine.

MODERN DRUM MIXING WITH SEAMLESS.

Learn how electronic guru Seamless goes about producing his eclectic beats using Superior Drummer 3 and various production techniques.

MEET MARK WILLOTT – EMMY-WINNING COMPOSER.

Emmy Award-winning composer Mark Willott talks about his musical journey and workflow using Toontrack products.

INSIDE: THE PEARL MASTERWORKS KIT.

Can a drum kit have sonic superpowers? Indeed! Learn more about what we call the Spiderman kit!

NEW EZKEYS MIDI RELEASE.

A creative toolbox of ideas for any writer of pop, rock, scores or commercial soundtracks.

THREE QUESTIONS TO…

…Steve Rivers, up and coming country artist and avid Superior Drummer 3 user. New song inside!

ARTIST PROFILE: POINT NORTH.

Meet up and coming pop/punk band Point North and listen to one of their songs, remixed using Superior Drummer 3.

OLA ENGLUND & TRACKER.

Learn how Ola works when converting drum audio to MIDI with Superior Drummer 3 and Tracker.

PRODUCER PROFILE: CHRIS BASEFORD.

What are multi award-winning producer/mixer/engineer Chris Baseford’s best and worst studio moments? Find out here.

INSIDE: THE AYOTTE CLASSIC KIT.

Learn more about this wood-hooped marvel and why we chose to sample it for the Superior Drummer 3 core library.

LOW TRANSIENT BUS.

Try this technique to add more low-end punch to your drum mix.

VALVE DISTORTION BOX.

Add some grit to your mix! In this feature, we dive into the world of the Valve Distortion Box.

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