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[Whitten]

If you know the DTexplorer it’s probably easier to do it in that.
You just need to edit the pad note so it corresponds with the right note in EZdrummer.
Once you’ve done that, save each pad setting.

Note: If you don’t want to redo the songs you’ve already recorded, just select each ‘wrong’ note in the Cubase note edit window and drag it to the correct note.
You can select like notes together in a group. Like all the notes on C2 for example.

[Whitten]

The question was directed at schimmel who had said ‘no’.

[Whitten]

These are the proper places aren’t they?

ORIGINAL: grandaddy
do you have the ‘MIDI output’ of your TD-20 plugged in to the ‘MIDI input’ on your E-mu device?

[Whitten]

ORIGINAL: 7thheaven
5 – my drummer triggered a hat where he lifted his foot off the controller pedal, which stopped some sustain on the hi hats.. i tried to find this edit in the midi in pro tools to edit it so it wouldn’t close and i can’t seem to find it on the edit window.. any advice where to find that type of info?

On your main Pro Tools window there is the track info window to the far left.
Underneath R (record), S (solo) and M (mute) there is a toggle switch. It might say ‘notes’ or ‘region’.
Place your mouse over it and hold down. You should then see a list of all the available editable parameters: Blocks, regions, notes, velocity etc…
Drag it down to ‘controllers’ and release your mouse on ‘foot controller (4)’.
You should now see on the main window all your hi-hat foot pedal information.
I admit there is a bit of a learning curve to using a software recording product like Pro Tools, Superior and an e-kit, but the only way to get good results is to read the manuals and practice using their features.

[Whitten]

Have you read the the manuals (Superior and TD20)?
You can’t expect it all to work perfectly out of the box.
Superior is designed to work with a variety of very different midi controllers, and the TD20 is designed to work perfectly with it’s own onboard sounds.
In other words, a small amount of tweaking, tailoring to your way of working is inevitable.
The things you ask are very simple to perform, if you sit with the TD 20 manual for example and follow the instructions step by step.
I borrowed a TD20 from Roland recently and had it working very well with Superior in half an hour – except for the hi-hats, which take a little more fine tuning to get really smooth I must admit.

[Author]

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