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[richard]

Yes I hope this aswell but I think it is unlikely. I will probably have to go back to using my other libraries that come with multiple articulations such as my Orange Tree and IK Modo libraries. I think the Toontrack libraries have a lot of potential but many of the libraries have limited articulations which stop me from using for bass tracks that require these different articulations within a piece.

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Thanked by: Mark Styles and Marcin

[richard]

Marcin wrote:

TBH, I don’t think they will update the existing ones, because once the session is recorded, it’s over, and replicating the exact same conditions for recording additional notes would be a huge effort. I’m also grieving a bit over the fact that some of these EBXes are missing articulations. I think all future releases should include slaps, vibratos, pick/finger, etc. ALL OF THEM basically, to keep this instrument consistent. Also, for the ability to swap the sound of the bass in a song without losing all the articulations, as it is now.
Having extra bow notes in Upright would be a super bonus. That’s quite common to play by mixing finger style and bowing. Maybe one day they will record a brand new upright bass with all of the bells and whistles 🙂

Totally agree! Perhaps there will be a Superior Bass?

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Thanked by: Marcin

[richard]

Great news! The Tight Preset sounds like a good starting point for what I’m looking for. Will definitely be picking this up 🙂

[richard]

Yep I would also absolutely love a modern Gospel SDX!!!

[richard]

Thanks Scott. I can’t believe that they didn’t sample an iconic bass such as the Fender Jazz with slap and pop articulations!??

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Thanked by: Marcin

[richard]

Sorry for resurrecting this old thread.

I’m currently mixing in 2.1 (pair of Neumann KH120’s + sub) and am wondering if there is any point for me to install parts 3 and 4? Do these parts make any difference to what I will hear in 2.1?

 

Thanks

[richard]

Thanks for the replies.

Apparently the RHH135 with the DTX502 module is capable of a full 127 points via midi but the onboard sounds only have four?

If this is true the. I would expect really smooth transition between samples throughout the hi hat pedals opening and closing?

[richard]

Should the transition in samples as the hi hat pedal opens be smooth or quite jumpy? Apparently the DTX502 module sends a full 127 velocity layers via midi but I’m only hearing a few different samples that don’t blend into each other very smoothly.

[richard]

Hi,

Thanks for the reply. Yes I’ve selected the Yamaha midi mapping in E-Drums. According to the DTX502 module I am playing the hi hat at full 127 velocity but it sounds different to when clicking on the GUI?

I’m going to try it out in Cubase to see what is happening.

[Author]

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