@David Snow said:
The only way I was able to make an EXACT sounding set of audio, and export it, was to assign every mixer output to a different out put channel.
That did work, thank you.
Great that you got it working! And if that is the result you are after
then doing it in that way is the only way. You as the user have to
decide which channels you want to go where in your bounce through
the mixer. Generally speaking there are going to be more channels
than outputs. Also, in some cases there are effects on the outputs
and you have to decide how to handle that too. Usually such effects
are ‘mastering’ effects and in your case you are likely to want to
turn them off.
>The choice is individual parts PRE mixer, or a stereo file POST mixer.
Bouncing through the mixer is not limited to giving a single stereo
file as output. The mixer in Superior Drummer has 16 stereo outputs
and all of those, that are in use, will result in a bounced file.
>…the individually bounced parts sound way less impressive compared
> to the George Massenberg pre sets… I get muddy, dull sounding tracks
> instead of the nice polish George gave the tracks.
Apart from your own explanations for this, could it be that you are
bouncing with “All Bleed” and don’t like the effect?
>… do you guy have any advise how to accomplish what I want?
You can Solo each instrument and make a bounce for each of
them as if the other drums were not played. Just remember to
rename the output files in between so they don’t overwrite each other.
There are no extra bleed mics. Bleed is, e.g., sound from the snare
bleeding into the tom mics. Without the “Additional Bleed” installed
you will only hear Tom 1 in the Tom 1 mic. With it, all instruments
can be heard through the Tom 1 mic.
Without “Additional Bleed” the kick will still bleed into the SnareBottom
mic and most drums are there in the OH. With it, everything plays in
every mic.
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