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  • Lloyd Moffitt
    Participant

    I do this…

    (need a Mac)

    Roland TD-27 with the following pads/cymbals:

    KT-10 – Kick
, PD-140DS – Snare
, VH-14D – Hi-Hat
, (3) PDX-100 – Three Toms, 
CY-14C-T – Left Cymbal, CY-18DR – Ride Cymbal
, CY-16R-T – Right Cymbal.

    TD-27 USB Out to MacBook Pro.

    Superior Drummer 3 in Standalone Mode, and internally routed OUT (think virtual mics):
    1) Kick In – routed to 3
    2) Kick Out – routed to 4
    3) Kick Sub – routed to 5
    4) Snare Top – routed to 6
    5/6) Snare Bottom – routed to 7/8
    7/8) Hi-Hat panned in SD3 – routed to 9/10
    9/10) All Toms individually panned in SD3 – routed to 11/12
    11/12) All Cymbals – routed to 13/14
    13/14) Overheads – routed to 15/16
    15/16) Ambiance – routed to 17/18

    (Outs 1/2 are the DAW stereo monitor channels)

    Send internally to: Apollo x16 Interface Analog Outs.

    FROM the Apollo x16 Analog OUTs, send to external Hardware Effects/Processors.

    Return Hardware Effects/Processors’ outs to Apollo x16 Analog INs

    Apollo x16 internally sends to DAW – I use either Luna or Logic.

    16 tracks:

    Three MONO Kick tracks
    One MONE Snare Top track
    Two Stereo Snare Bottom Tracks
    Two Stereo Hi-Hat Tracks (panning done in SD3)
    Two Stereo Toms Tracks (panning done in SD3)
    Two Stereo Cymbals Tracks
    Two Stereo Overheads Tracks
    Two Stereo Ambiance Tracks

    Same as tracking with a REAL Drum Kit!

    ALSO, I record a MIDI track (in DAW) for a back up performance if quantizing is necessary.

    Can also tweak the MIDI (quantize, change velocities, etc.) after drummer leaves, then IMPORT the Tweaked MIDI into SD3 and “Bounce to Audio”. Next, Import “fixed” audio into DAW.

    1

    Thanked by: Frank Palazzo
    Lloyd Moffitt
    Participant

    Is this not the idea of using Superior Drummer 3?

     

    Just don’t sell, for your profit, the individual samples or libraries.

     

    Maybe a Toontrack lawyer will chime in.

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