[Leo Saramago]

Thanks, karl and Whitten!

Would anybody come up with technical reasons why stereo corrections should take place? Is it possible to draw a line where artistic choices become technical issues?

[Leo Saramago]

Thanks,

And should those inbalances be corrected or minimized? If so, how could that be achieved with today’s technology? Would phase issues come from this?

[Leo Saramago]

Superior Ambience mics sound amazing, no doubt.

What I don’t know is if there’s some technical aspect I should be concerned about AMB mics different L-R levels. Are the drums supposed to sound louder in one side in the final mix? Should anybody try to make L-R more even panwise? If so, how?

Sometimes, I get under the impression the snare shifts a little panwise from one hit to the next. Is it possible that samples are not correctly stored or is it supposed to be this way?

Thanks for your attention,

Leo

[Author]

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