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Viewing 9 replies - 1 through 15 (of 10,842 total)
  • John
    Moderator

    Hi,

    in a broad sense, you add an EQ in one of the Effects slots in the SD3 Mixer and then you add EQ nodes by double-clicking in the graph. Set a Shape for your node (notch, bell, shelving, etc), set a frequency, Q (width), Slope, etc and add or subtract Gain for that node.
    Screenshot-2026-03-31-at-08.20.50
    Screenshot-2026-03-31-at-08.23.33
    If you are looking for more specific guidance for EQing certain drums, it totally depends on instrument and context.

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

    3

    Thanked by: Brad, Scott Eshleman and drumjack52
    John
    Moderator

    Hi David,

    if the MIDI is on the SD3 Song Track, you can just open the Grid Editor and click the ‘Snare’ label on the Snare notation lane (make sure no specific part is selected). This selects all Snare notes.

    If your MIDI is on a track in your DAW, it depends on your DAW but e.g. in Pro Tools, I can click a note on my keyboard layout in the Note view and this selects all notes on that key/note.

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

    1

    Thanked by: Scott Eshleman
    John
    Moderator

    Yes, it kind of works this way and the same in Logic as well; Analyze Chords first, then Apply Region Chords to Chord track. The more complex the Chords and Progression, the more is up to manual editing, it seems.
    I don’t think there’s an industry standard for DAW internal Chord/Meter Tracks, so making something work directly from EZkeys 2 would need special catering for every DAW (if even possible).

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

    1

    Thanked by: Scott Eshleman
    John
    Moderator

    Hi,

    no violin-specific presets but there are a few ‘Strings’ presets in the Core package and a few in the Peter Henderson Pack and Songwriter’s Tools Pack.

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

    1

    Thanked by: rixa
    John
    Moderator

    Thank you! For mastering the entire song (and I have an album with e.g. 6 songs), should I put them all in the same DAW, project, pick the loudest part of these 6 songs, then apply the mastering plugin OR should I have one song only, let EZ Mix listen to it, export it…open the next song, let EZ Mix listen to it, export it etc.?

    I am not sure how I can have an entire album with the exact same or very similar boost, sound etc.

    I guess both would work equally well but myself, I would prefer having the songs in separate Projects and then start with the same AI assisted Preset. If you have mixed the songs with similar tone and energy, they should end up sounding very similar that way but of course, your ears will judge if there are any fine tunings that need to be made.

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

    John
    Moderator

    https://www.toontrack.com/faq/how-do-i-move-my-sound-libraries-expansions-to-an-external-drive/

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

    1

    Thanked by: Scott Eshleman
    John
    Moderator

    Hi,

    there are some slap grooves and articulations already in the EZbass library for you to check out; e.g. Funk Fusion EBX, The Eighties EBX, Modern Funk MIDI & Fusion MIDI.

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

    1

    Thanked by: Scott Eshleman
    John
    Moderator

    Hi,
    from the product page:

    Two distinct Studio A environments were captured: the spacious main room and the tighter, damped iso booth.

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

    1

    Thanked by: Scott Eshleman
    John
    Moderator
    Hi,

    I would say that without Analyzing the Track when using the AI assisted presets, they’re “just” presets, like regular presets. If you apply one of them, they will affect your audio as any preset would but wouldn’t affect the sound “as intended”.

    If you have one song with a particular Snare, use an AI assisted preset, tweak it a bit, save it as a User Preset, then open another song where the same Snare is used and apply your User AI assisted Snare preset, it should sound like the Snare in the other song. If the Inputs are (or sound) the same across songs, the presets should sound about the same. Things that may matter and affect this if one song had very hard-hitting, dense patterns and the other one was more soft and had sparse hits but that’s the same AI-assisted or not.
    The more similar inputs and playing style used across songs, the more similar output results you can get without bending your back but again, that goes for non-AI-assisted presets as well.

    BR,
    John

    John Rammelt - Toontrack
    Technical Advisor

Viewing 9 replies - 1 through 15 (of 10,842 total)
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