[Luca Albini]

1. there shouldn’t be when it comes down to the raw drum sounds but if you’re using the EQ’s and FX, I can’t say bouncing @44,1 and @48 will null out.

 

So the best way to bounce using EQ’s and FX would be to do it in a 44.1 khz 24 bit project to maintain the exact sound right?

 

or

 

bounce from the daw in 48khz 24 bit only the raw drums without EQ’s and FX and try to replicate the processed sound of the Superior preset with the daw plug ins right?

 

Luke

[Luca Albini]

Hi, thanks for sharing those informations! Very informative! I have a couple of question if someone can answer:

1) There will be a difference in audio bouncing Superior Drummer 3 from Pro Tools hd in a 48 khz 24 bit project against doing the same thing from Logic in a 48khz 24 bit project against doing the same thing in stand alone in 44khz 24 bit? Or the audio in all 3 cases would be perfectly the same because Superior uses its own algoritm with no connection with the daw algoritm?

I ask this because I have Pro Tools hd 10 that is 32 bit daw and my projects are 48 khz 24 bit and Superior Drummer 3 works only in 64 bit daw,

so in order to import to Pro Tools the separated audio tracks in 48khz 24 bit without conversion would be to bounce Superior from Logic (64 bit) in a 48khz 24 bit project and then import the tracks in Pro Tools without conversion, cause if I bounce from stand alone application I only can work in 44.1 khz 24bit

is this correct or there’s a better way to do it?

 

2) Could I use Pro Tools First to bounce the separated tracks in 48khz 24 bit or I must buy Hdx?

Thanks in advance for the kind answers!

Luke

[Author]

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