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BlueMistral
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Just be aware the 15 bucks transfer fee is per license and not per order, so you will need to fork out 30 bucks for the 2 licenses alone.
Ok so DW just released a video about fine tuning the hihat with their control app, I configured my DWe hihat following their explanation and now I can get full open to tight articulations, I also increased the tension on my pedal, the video is here: https://youtu.be/HLt9KYp5kMs?si=Pqdm2gul0FCDBO9l
Also the DWe map in SD3 is missing the rim only articulation which is 4, it’s blank.
here is my hihat as of now triggering closed hihat without pressure and tight with pressure.
and here are my pedal settings in the DWe control app:
The DWe uncalibrated preset triggers the tight articulation at 127 but then the closed articulation goes from 96 to 101 and it jumps very quicly triggering only tight sounds, ideally I would like to trigger the closed articulation from 100 to 126 and the tight at 127 but as soon as I move the closed point further than 101, it converts always 127 to 126, thus never triggering the tight articulation.
The clean kits from the stock SD3 library are known to be very quiet with E-Drums but some presets sound great and can drive the P&D easily so is not an issue with SD3 samples, the issue is that the P&D expects a signal that is nice and hot, which the TD-27 as audio interface simply cannot give, I use an RME Fireface UCX II Audio interface and I can create a submix especially for the P&D only, you can choose from +4dB up to 19dB and the thumper will react accordingly, another advantage is you can trigger it only with the SD3 sounds by selecting another output and routing it to the P&D so you don’t trigger it with every computer sound, which is very annoying. I started with the RME Babyface and it worked great too.
I have the same problem with a Roland TD-27 and EZD3. I think adjusting the USB Input gain in the Roland module is not really the solution. Yes, it does significantly increase the volume, but it increases the volume from any sound coming from the computer, not just the drums. It is in effect the same as turning up the main audio volume from the computer’s OS.
it’s the solution if you don’t want to buy an audio interface with more than 2 outs to create a submix for the drums and another for the computer sounds
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