[altmanna]

Hi John,

Correct, I believe this is very important and basic feature for a midi based software. I’ll forward to ‘Requests & Feedback’.

Thank you,

Andy

[altmanna]

Hi John,

Thank you for your reply.

I’m not sure you answered the question I had. I understand how the Grid Editor and the Grid steps work.

Let me rephrase my question this way: If I wanted to put a kick at a very specific place that is not covered by a rhythmic subdivison of triplets or 1/64 like 1|1|053. How would I do that? There seems to be no indication of placement in the bar|beat|subdivision format.

Please see attached picture on how BFD3 gives the exact location of the midi note in the bar|beat|16th|subdivision format.

Pretty much every midi based software has a variation on that.

Thank you,

Andy

Reply To: Exact time placement of notes in SD3 midi grid version: 3.3.6
Operating system: macOS Big Sur (11)

[altmanna]

You are welcome. Am I going to get a discount now for finding your bugs? lolz

Cheers

[altmanna]

I think you making a cardinal sin of speaking of or imagining people you don’t know and how they work. The people you mention definitely hear things that you don’t and definitely care about things you don’t, that is why you know them for what they do.

What if I wanted to heavily lean on the Compressor Bus for a song because it gives me that vibe I need, yet the snare is side heavy and I’m trying to find out why…

Too many assumptions again…

You don’t know, what you don’t know….

Be Blessed

[altmanna]

How can you judge what I’ve done or who I am? I am a professional music producer. I get paid to do this.

If I can hear it and it’s there, then it says more about my skills than the ones who can’t hear it.

This topic is a legitimate question in understanding the program in detail.

Seriously, the amount of presumptuousness…if you guys don’t give a !@#$ then don’t reply to this post.

Don’t tell other people what to do or how to do it if you yourself don’t care.

 

Be Blessed

[altmanna]

I didn’t say that the entire SD3 program is a design flaw.

If it’s in the preset itself, then it’s a design flaw in the preset. And if this is present in one preset, it can be in others as well.

I checked all the routing several times.

What is a natural phenomena in the digital world where nothing except the samples are “natural” and everything else is coded?

 

As I stated I found a solution to this problem. The reason why I post it is so maybe other users who have the same issue in other presets know what the reason and/or solution is.

For you its ok to have phase cancellation and not know where it comes from, for others it may not.

 

Yup, some people are anal and some are dull in hearing.

Much love

Reply To: Design Flaw? Soloed snare is louder in left channel of the stereo comp channel. version: 3.3.6
Operating system: macOS Big Sur (11)

[altmanna]

I found out what the problem is and I wrote a lengthy response explaining it and then I lost the response…

So I’m keeping it short, it is a design flaw.

Jack, you are talking about things that pertain to recording and/or the way the mics are set-up. This is a problem with mixing and buses.

Jord you partially correct, the problem comes with this Yamaha Rock Dry  drumkit. The mixer in this drumset has a comp bus already set up. Even with all plug ins off it is still uneven. It is the send that creates phase cancellation/stereo shift. Creating a new bus with new sends and the issue is gone, hence why you can’t recreate the problem. See photo.

Sending a digital mono signal into a digital stereo bus should not create phase cancellation or movement of the stereo field unless there is a design flaw.

I’m open to hear otherwise…

Now, one can care whether a snare drifts to the side or one can not…I do.

Cheers,

Andy

Reply To: Design Flaw? Soloed snare is louder in left channel of the stereo comp channel. version: 3.3.6
Operating system: macOS Big Sur (11)

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