Hi all,
I have read the manual on Chokes and it doesn’t detail too much about this.
Can someone tell me how to make cymbals chokable please.
Also – Swells
I have read that I need to create the same cymbal again and then set hat ones envelope with less attack.
I assume I do this by creating the same cymbal as an Xdrum ?
I did this – I learnt it – and then my ( physical ) cymbal ONLY triggers the Xdrum cymbal.
Obviously I am doing something completely wrong here.
If someone can explain this to me in plain English I would appreciate the help.
My Gear
Yamaha DT4Express
Laptop- Icore, 2.2gigram, Win7
Edirol UA25EX Audio Interface.
" Up The Irons ,58,0,2010-03-07 02:52:33.423,0,NULL,brainsnap@kooee.com.au
170917,brainsoup,,,0,0,2010-04-19 01:38:02.000,NULL,NULL,brainsoup@inorbit.com
276216,jeebustrain,,,0,0,2011-11-29 01:02:11.000,NULL,NULL,brainstem@gmail.com
19297,brainstem3000,,,0,0,2007-04-24 17:37:18.637,0,NULL,brainstem3000@yahoo.com
295070,brainstem9,,,0,0,2012-03
Well apparently my good old DT4Express does not send aftertouch signals
So there goes the ‘choking’ plans I guess.
Will sort out when I get the DTX950 ( shortly?)
But I still need ‘swell’ assistance please
" Up The Irons ,58,0,2010-03-07 02:52:33.423,0,NULL,brainsnap@kooee.com.au
170917,brainsoup,,,0,0,2010-04-19 01:38:02.000,NULL,NULL,brainsoup@inorbit.com
276216,jeebustrain,,,0,0,2011-11-29 01:02:11.000,NULL,NULL,brainstem@gmail.com
19297,brainstem3000,,,0,0,2007-04-24 17:37:18.637,0,NULL,brainstem3000@yahoo.com
295070,brainstem9,,,0,0,2012-03
So…..no-one here creates Swells and uses this with an Ekit
" Up The Irons ,58,0,2010-03-07 02:52:33.423,0,NULL,brainsnap@kooee.com.au
170917,brainsoup,,,0,0,2010-04-19 01:38:02.000,NULL,NULL,brainsoup@inorbit.com
276216,jeebustrain,,,0,0,2011-11-29 01:02:11.000,NULL,NULL,brainstem@gmail.com
19297,brainstem3000,,,0,0,2007-04-24 17:37:18.637,0,NULL,brainstem3000@yahoo.com
295070,brainstem9,,,0,0,2012-03
i totally care … but i am a complete newb too ekit with software. … i am monitoring this thread though !
Roland TDW-20 | Mac Pro Quad Core 2.66 |28 GIG RAM | 4 TB HD | Apogee Duet | OSX Snow Leopard | SD 2.2 | C&V SDX | Jazz EZX | Logic Express 9.0
Arrr – I feel the love guys
" Up The Irons ,58,0,2010-03-07 02:52:33.423,0,NULL,brainsnap@kooee.com.au
170917,brainsoup,,,0,0,2010-04-19 01:38:02.000,NULL,NULL,brainsoup@inorbit.com
276216,jeebustrain,,,0,0,2011-11-29 01:02:11.000,NULL,NULL,brainstem@gmail.com
19297,brainstem3000,,,0,0,2007-04-24 17:37:18.637,0,NULL,brainstem3000@yahoo.com
295070,brainstem9,,,0,0,2012-03
I have been advised that there is info about this at Youtube in the ‘loads’ of videos on SD available there.
I certainly cant see it.
Can anyone point me to those video’s at least
Specifically the one that covers swells
" Up The Irons ,58,0,2010-03-07 02:52:33.423,0,NULL,brainsnap@kooee.com.au
170917,brainsoup,,,0,0,2010-04-19 01:38:02.000,NULL,NULL,brainsoup@inorbit.com
276216,jeebustrain,,,0,0,2011-11-29 01:02:11.000,NULL,NULL,brainstem@gmail.com
19297,brainstem3000,,,0,0,2007-04-24 17:37:18.637,0,NULL,brainstem3000@yahoo.com
295070,brainstem9,,,0,0,2012-03
can you be more specific about the info you need regarding swells?
… guessing wildly what may help you, typically you would smooth out the attack on a ‘note ON’ message in the envelope section (see manual for detailed operation), using either a dedicated cymbal trigger (or a dual zone if your module supports it – not sure if it does). And yes that would be loading an X-drum with the relevant cymbal if you want to same sound as a non altered cymbal in your kit.
Rogue Marechal - Toontrack
Configuration Manager
ORIGINAL: Rogue
can you be more specific about the info you need regarding swells?
Thanks Rogue,
Ok I am trying to ‘lose’ that initial hard hit sound when you strike the cymbal constantly ( ride the edge as you would in an acoustic situation ) to create that ‘continual’ sound WITHOUT hearing each individual hit as well as the constant swell sound running ( gee I hope this makes sense as I am hopeless at explaining things )
I am triggering SD2.0 (with 2.2 updates installed ) via a Yamaha DT4Express module and using PCY135 3 zone cymbals.
Unsure if this helps further…
" Up The Irons ,58,0,2010-03-07 02:52:33.423,0,NULL,brainsnap@kooee.com.au
170917,brainsoup,,,0,0,2010-04-19 01:38:02.000,NULL,NULL,brainsoup@inorbit.com
276216,jeebustrain,,,0,0,2011-11-29 01:02:11.000,NULL,NULL,brainstem@gmail.com
19297,brainstem3000,,,0,0,2007-04-24 17:37:18.637,0,NULL,brainstem3000@yahoo.com
295070,brainstem9,,,0,0,2012-03
OK,
but won’t selecting the Edge articulation only and edit the Attack in the Envelope suffice?
John Rammelt - Toontrack
Technical Advisor
hum, are you referring to a library soon to be released John 😉
… apart from the rides there is only one articulation per cymbal at this point, so an X-drum would be required.
I am trying to ‘lose’ that initial hard hit sound when you strike the cymbal constantly ( ride the edge as you would in an acoustic situation ) to create that ‘continual’ sound WITHOUT hearing each individual hit as well as the constant swell sound running
I’m not sure I understand whether you want cymbal swells or to ride your crashes… for the former raising the voice limit of your x-drum may help create a more realistic effect, for the later a smaller value than the default in addition to or instead of shaving the samples tail (release) *may* help define the sound. If you want to be able to do both, experiment with everything mentioned herein and see what works best for you.
Rogue Marechal - Toontrack
Configuration Manager
ORIGINAL: juicy
I’ve always been suspect of that smiley ….
-Mac Studio (2023)– Apple M2 Max
-macOS Ventura Version 13.6
-Logic Pro 10.7.9
-64 GB Ram
-Universal Audio Apollo 8 (UAD2 DUO) – max sample rate supported: 192
-typical buffer / typical sample rate: 128 / 44.1
-External drives:
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